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“You are one simp,” he comforted, at the same time putting his own overcoat about the shivering boy. “Sharpen these pencils, Moses, please, for the drawing lesson.” “Well now Howard Eliot I carnt see nothin’ in that to larf at. It is grand readin’. Do read another,” said Mrs. Wopp..
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The pianist sat easily at the piano and began the Moskowski selection that had failed to create the expected furore in the afternoon. A cadenza that shivered down the spine like spray from a glacial torrent wakened the room. Then he plunged into the first theme. His small audience listened spell-bound. Betty’s eyes followed the fingers that leaped over the ivory keys like white flame. A subtle current began to play in the room. Steadily it grew in power. Magnetism to the nth degree was being generated. A tremendous chord brought the music to a close and the pianist to his feet. Something in Nell’s glance inspired him. He whirled about the room whistling and imitating some of the cadenzas and other passages from the selection just played. He gesticulated wildly with his hands, the passion for dramatic music oozing from his pores. “Oh Mosey,” cried Betty at the breakfast table, being first on the scene to arrange her flowers, “we’ll hev a spellin’ match to-day I bet.” “Fer the love o’ Mike, kid, how did you git here?” said Moses, rousing the small sleeper. “Gosh, but yer face needs warshin’.” “O, Mosey, these leaves is lovely, an’ jist look here roun’ the edge, looks like the fairies has left footprints!”.
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